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Some Rare Bootlegs – One Original and A Few Covers

“As a producer, I’m really interested in interpretation,” Street continues. “But most people don’t even begin to put their own personalities into their music. Chris, though, has gone all the way through the blues and out the other side. He’s really the only guy around who has that thing that Jimi Hendrix and Robert Johnson … Continue reading Some Rare Bootlegs – One Original and A Few Covers

Expenses and Revenues of a Representative Record Contract

Excerpt from Steve Albini, “The Problem with Music.” The Baffler No. 5, December 1993 These figures are representative of amounts that appear in record contracts daily. There’s no need to skew the figures to make the scenario look bad, since real-life examples more than abound. Advance: $250,000 Manager’s cut: $37,500Legal fees: $10,000 Recording Budget: $150,000Producer’s … Continue reading Expenses and Revenues of a Representative Record Contract

More Heat-Seekers than Heat: Understanding Chris’s ‘Success’

In the United States, the top one percent of the population has over 15 times more wealth than the bottom 50 percent, as of late 2020:  “According to the latest Fed data, the top 1% of Americans have a combined net worth of $34.2 trillion (or 30.4% of all household wealth in the U.S.), while … Continue reading More Heat-Seekers than Heat: Understanding Chris’s ‘Success’

A Guide to Chris Whitley’s Gear 2: Acoustic Guitars

Chris played a variety of acoustic guitars, ranging from resonators – e.g., his most-often used Nationals and Dobros – to standard acoustics, such as those made by Martin and Gibson.  We are lucky to have a photo of Chris playing one of his first resonators, which Hiroshi Suda has identified as an OMI (Original Musical … Continue reading A Guide to Chris Whitley’s Gear 2: Acoustic Guitars

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