Because "straight from the horse's mouth" is my preferred way of understanding Chris and his music, I've gathered some of Chris's musings about each of these albums below. I've also included excerpts from some of my favorite reviews. To read the full articles, reviews, and interviews from which these excerpts were taken, go here. War … Continue reading Weed & War Crime Blues Media
Author: Katie
Dislocation Blues Media
I've written a separate post examining the songs Chris and Jeff Lang covered on Dislocation Blues. Here, I've compiled the articles, photos, etc. that I've collected over the years. Read over a dozen articles/reviews. Listen to an interview Chris gave while in Australia recording the album. Listen to a podcast from Jeff Lang about the … Continue reading Dislocation Blues Media
White Rider
It's an oversimplification to describe War Crime Blues as Chris's "Make Love, Not War" album. But, originally inspired as a reaction to 9/11, the album does point in that direction. In a NY Times interview, Chris said “There are things on that record that are trying to respond to war or that kind of … Continue reading White Rider
How Bruce Hornsby Came to Play on Rocket House
Chris Whitley made music with a wide variety of musicians; his side work was extensive, ranging from Chocolate Genius to Cassandra Wilson, as shown in this playlist. One musician I was surprised to discover that Chris sometimes jammed with is Bruce Hornsby. Yet, as a review of Chris's gig at Kahootz in Richmond, VA notes, … Continue reading How Bruce Hornsby Came to Play on Rocket House
Chris’s Guest Appearances with Bob Weir
Photo credit: CW by Peter Lorré at Parkpop The Hague in 1992; BW unknown In an interview about Note of Hope. an album that Rob Wasserman produced based on Woody Guthrie writings set to music, Rob briefly discussed Chris's involvement: [W]e had just been playing with Bob Weir back in the day. I introduced … Continue reading Chris’s Guest Appearances with Bob Weir
Some Rare Bootlegs – One Original and A Few Covers
As a producer, I'm really interested in interpretation," Street continues. "But most people don't even begin to put their own personalities into their music. Chris, though, has gone all the way through the blues and out the other side. He's really the only guy around who has that thing that Jimi Hendrix and Robert Johnson … Continue reading Some Rare Bootlegs – One Original and A Few Covers
Expenses and Revenues of a Representative Record Contract
Excerpt from Steve Albini, "The Problem with Music." The Baffler No. 5, December 1993 These figures are representative of amounts that appear in record contracts daily. There’s no need to skew the figures to make the scenario look bad, since real-life examples more than abound. Advance: $250,000 Manager’s cut: $37,500Legal fees: $10,000 Recording Budget: $150,000Producer’s … Continue reading Expenses and Revenues of a Representative Record Contract
More Heat-Seekers than Heat: Understanding Chris’s ‘Success’
In the United States, the top one percent of the population has over 15 times more wealth than the bottom 50 percent, as of late 2020: "According to the latest Fed data, the top 1% of Americans have a combined net worth of $34.2 trillion (or 30.4% of all household wealth in the U.S.), while … Continue reading More Heat-Seekers than Heat: Understanding Chris’s ‘Success’
A Guide to Chris Whitley’s Gear 2: Acoustic Guitars
Chris played a variety of acoustic guitars, ranging from resonators - e.g., his most-often used Nationals and Dobros - to standard acoustics, such as those made by Martin and Gibson. We are lucky to have a photo of Chris playing one of his first resonators, which Hiroshi Suda has identified as an OMI (Original Musical … Continue reading A Guide to Chris Whitley’s Gear 2: Acoustic Guitars
Mystery Gig: 1995-06-20
Here's an 11-song set whose origins are unclear. I think that I might have downloaded it from one of those monster bootleg sites, e.g., Wolfgang's or the Concert Archives. Both of those sites are notoriously lacking in reliable data, so it's possible that the date is wrong. Further, there's no venue provided. But it's clearly … Continue reading Mystery Gig: 1995-06-20
All Things Chris Whitley 